Lesson 44 of 72 · Just one note changes, and the chord turns wistful
Play C – E – G, then lower the E by a half step: C – E♭ – G. Listen: the light dims, and the chord turns darker, more wistful. That’s the C minor chord.
Only the third, the middle note, has moved. In the major chord, it’s 2 whole steps above the root (a major third); in the minor chord, it’s a step and a half above (a minor third). These are notes 1, 3 and 5 of the minor pentascale from lesson 42.
E for the major chord, E♭ for the minor chord.
Tip: In chord symbols, a small m means minor: Cm = C minor, Am = A minor. Without the m, the chord is major.
Each major chord turns minor: only your middle finger (finger 3) moves down a half step. Listen to the color change.
Good news: three minor chords use only white keys, with the same shape as C major (every other key, fingers 1-3-5):
A minor, D minor, E minor
To tell whether a chord is major or minor, count the half steps between the root and the third: 4 (2 whole steps) = major, 3 (a step and a half) = minor. A – C: 3 half steps, so A minor.
Why this way: Edwin Gordon advised letting learners hear major and minor very early on: comparing them is how the ear learns to tell them apart. That’s why you keep switching between the two colors in this lesson.
Any octave, any order of notes. Think of the shape: every other key, then check the third.
C major, A minor: two notes in common, and yet two opposite colors. C major (happy), then A minor (wistful). The two chords share two notes, C and E: your whole hand moves down a 3rd.
Three minor chords in a row, in half notes: Am – Dm – Em – Am. The computer plays the bass. A minor – D minor – E minor – A minor, in half notes.
← Lesson 43: The major triad Lesson 45: The chords of the key →