Lesson 47 of 72 · The melody on the right, the chords on the left
To accompany a melody, look for the chord that contains its important notes: the ones on strong beats and the long notes. A melody that circles around C, E and G calls for the C chord; around G, B, D and F, the G7 chord.
Listen to the start of Au clair de la lune with the right chords, then with wrong ones: your ear hears the difference right away.
Tip: When a melody note “clashes”, look for the chord that contains it: it’s often the right one.
In the left hand, three shapes are enough for dozens of songs in C, with your hand barely moving:
G7, short version: from C – E – G, finger 5 moves down a half step, E becomes F, and your thumb stays on G.
Why this way: Hands separately first, then together: each hand learns its motion on its own, and your brain only has to put them together. Before each two-handed piece, play the left hand alone at least once.
The left-hand shapes: place your fingers, then press down in one motion.
First with a simple bass: C (5) and G (1) in the left hand, under the melody. The left hand changes in the middle of some measures: C (5), then G (1).
Now real chords in the left hand: C and the short G7. Both hands play together on the beats where the chord changes.
Ode to Joy, accompanied like a real pianist: the melody on the right, C and G7 on the left. Right hand: the melody. Left hand: C (5-3-1) or the short G7 (5-2-1), one whole note per measure.
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